
some testimonials concerning the work of
Lee Bracegirdle:
Kate Stratford, "On the Town" Magazine:
"The orchestra was brought together
by conductor Lee Bracegirdle's loving baton,
whose love for his orchestra and the music
they make
is evident in the encouraging smiles which
accompany every wave of the baton.
As Chief Conductor and Artistic Director
he is to be commended for this approach to
community orchestral work. It is aspirational
and it pays off.
These concerts are delicious moments available
to everyone. Do yourself a favour and check
out their website for the next one."
Stephen Erdody (cellist, Los Angeles String
Quartet): (link)
"He is the consummate musician: an extraordinary
french hornist, a remarkable composer, and
an exceptional conductor."
Lalo Schifrin, composer and arranger:
"Mr. Bracegirdle is an outstanding composer.
I am very impressed by his clarity of musical
thought, maturity of ideas, and organic orchestration"
Murray Black (music critic, 'The Australian'
newspaper) about Ammerseelieder:
"The composer's score was attractive,
evocative, and cleverly orchestrated. I regularly
found myself smiling and nodding in admiration
at his
inventive use of instrumental colours."
Frederick Blanks (Sydney music critic) on
Bracegirdle's compositions:
"This is clever stuff !"
Michael Gielen (Principal Guest Conductor:
Berlin State Opera /former musical director:
Frankfurt Opera /Southwest German Radio Orchestra/
Cincinnati Symphony Orchestra):
"Herr Bracegirdle ist mir ebensowohl
bekannt als ausgezeichneter Hornist wie als
begabter Dirigent. Er ist ein ausgezeichnet
gebildeter Musiker,
dessen Schlag sowie seine Anweisungen ganz
professionell sind. Seine große Erfahrung
im Orchester kommt ihm beim Umgang mit dem Orchester zu gute."
"I know Mr. Bracegirdle both as an excellent
horn player and as a gifted conductor. He
is an highly-educated musician whose baton
technique as well as
directions to the orchestra are entirely
professional. His extensive experience as
an orchestral player is evident in his rehearsal
technique."
Sir Charles Mackerras:
"Mr. Bracegirdle is a highly experienced
orchestral player with impressive musicianship
- the ideal pre-requisite for a conductor"
Carlo Felice Cillario (principal guest conductor,
Australian Opera):
"I have checked Mr. Bracegirdle's qualities
as a conductor, and am ready to declare that
they are remarkable indeed. He posesses a
great musical
intelligence and experience, his gestures
are well-controlled, and he displays a fabulous passion for conducting."
Adrian Dimitrievitch (artistic director,
choreographer):
"His confident yet amicable approach
is conducive to the most positive and productive
of rehearsal atmospheres. He posesses a flawless,
yet
supremely musical conducting technique, well-suited to bringing
out the best performances from his orchestra.
His rhythm is absolutely solid,
an attribute which I, as a choreographer
and dancer, consider to be of particular
importance. I would describe his musical direction as displaying
astute clarity and definition, yet full of
passion and vitality."